Beelzebub (Gr. Βεελζεβούλ., Heb. ba’al z’bub). Described as “Monarch of Hell” (The Secret Doctrine, Vol. 2., 389 fn.), in Demonology. This god, defined as “lord of the flies,” in the text of the Torah: 2 Kings 1: 2-3, 6, and 16; and in the Christian canon: Matthew 10:24-26, Matthew 12:22-28, Mark 3:21-26, and Luke 11:14-20, where Iesous heals. Beelzebub. Called, “lord of the flies,” by the Hebrews, who hated the worship of Ba’al.

“The disfigured Baal of the Temples. and more correctly Beel-Zebul. Beel-Zebub means — literally “god of flies”; the derisory epithet used by the Jews, and the incorrect and confused rendering of the “god of the sacred scarabæi”, the divinities watching the mummies, and symbols of transformation, regeneration and immortality. Beel-Zeboul means properly the “ God of the Dwelling:’ and is spoken of in this sense in Matthew x. 25. As Apollo, originally not a Greek but a Phenician god, was the healing god, Paiàn, or physician, as well as the god of oracles, he became gradually transformed as such into the “Lord of Dwelling”, a household deity, and thus was called Beel-Zeboul. He was also, in a sense, a psychopompic god, taking care of the souls as did Anubis. Beelzebub was always the oracle god, and was only confused and identified with Apollo latter on.” (H.P. Blavatsky, The Theosophical Glossary: Beel-Zebub, 1892)

Baphomet (Lat. Baphometh). The Hermetic-Kabbalist symbol of Mendes, the goat. Joseph von Hammer-Purgstall’s pseudo-historical Mysterium Baphometis revelatum (1818), Helena Blavatsky notes, claims the etymology of Baphomet to be from the Greek, βαφὴ bafh and mhtiz μήτεος mhtiz, as Aleister Crowley suggested, in Magick: Liber ABA, Book Four, Parts I-IV. Aleister Crowley, considered that Baphomet is “Mithras.” Baphomet, Joseph von Hammer-Purgstall reveals, is a term, that refers to the Βαφη Μητεος, “baptism of Metis, baptism of fire.” It was written, to discredit Templarist Masonry and Freemasonry. The hysterical position of Joseph von Hammer-Purgstall, is not entirely correct.

Eliphas Lévi explained it otherwise:

“The name of the Templar Baphomet, which should be spelt kabalistically backwards, is composed of three abbreviations: Tem. ohp. AB., Templi omnium hominum pacts abbas, “the father of the temple of peace of all men.” (Eliphas Levi, Dogmes et Rituels de la Haute Magie)

Dr. Hugh Schonfield, a Dead-Sea scroll researcher, argued, that when applying the Atbash cipher used to translate the Dead-Sea Scrolls, the name Baphomet, became the Greek word σοφία “Sophia.” In A History of Secret Societies, Arkon Daraul, proposed, that Baphomet, may derive from the Arabic word أبو فهمة Abu fihama(t), meaning “The Father of Understanding.”

The “baptism of fire” signifies purificatory initiation, and does not refer to hell-fire.

The symbol, used with Baphomet is the pentalpha, or pentagram. Eliphas Lévi’s Dogme et Rituel de la haute magie (trans. by A. E. Waite) explains the symbol:

“The Pentagram, which in Gnostic schools is called the Blazing Star, is the sign of intellectual omnipotence and autocracy. It is the Star of the Magi; it is the sign of the Word made flesh; and, according to the direction of its points, this absolute magical symbol represents order or confusion, the Divine Lamb of Ormuz and St. John, or the accursed goat of Mendes. It is initiation or profanation; it is Lucifer or Vesper, the star of morning or evening. It is Mary or Lilith, victory or death, day or night. The Pentagram with two points in the ascendant represents Satan as the goat of the Sabbath; when one point is in the ascendant, it is the sign of the Saviour. By placing it in such a manner that two of its points are in the ascendant and one is below, we may see the horns, ears and beard of the hierarchic Goat of Mendes, when it becomes the sign of infernal evocations.”

The Baphomet, the Kabbalistic talisman, as Mithras, or as a reference to the baptism of fire, is revealing. The fire is the electric-fire in Occultism, that enlightens the mind. The wisdom, which one is being initiated into, is that of the nature-god, PAN (the ALL) i.e., the Kosmos (the WHOLE), the androgynous DEITY. The phallic symbolism, imagined, by certain schools and cults, are an inversion of its nature, as a creative potency, and does not require any elaboration; except, that it’s used in certain rites of ceremonial magic. Hence, the staff (penis surrounded by the double snakes) at the groin of the Baphomet. It debases the SACRA, into sexual allegories; for quite anything can be profaned, or perverted.

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Ex. The one substance, as “the Sea of the Virgin-goddesses,” penetrated, and fecundated with the seed of all life, by the creative potency, the FORCE, thrilling CHAOTIC MATTER to generation.

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It is the usual amorous jargon, built on phallic and yonic symbolism and allusion, and are of the lowest of mysteries, harkening back to an infantilism, and fascination with the sexual organs. It surrounds the beliefs in vitalisation via external consumption of semen, and the belief in producing magic BABES, through a coordinated magical sexual ritual, or orgy. The Jews and Brahmans, both have the same jargon. The phallic and yonic symbolism, is anthropological; and was applied to the meta-physical potencies and origin of the gods (theogony). Whence, all the famed-gods, whores and Casanova’s of the heavens in mythological fable — human fancy. PAN, a primordial deity, higher and older than the later Olympian Zeus, are both made as high gods, in one myth, and in another, are libertines. PAN, having become a rustic daimōn of the forests, with goat-shagging nymphs ‘round him, has become conflated with Mendes. Baphomet, was not the god of the Knights Templars. Anti-mason controversialists believe, that the pose of the Washington D.C. statue of first U.S. President, George Washington — the American Cincinnatus, is that of Baphomet. The statue of George Washington, is not the statue of Baphomet, whom predates Abbe Eliphas Lévi’s illustration of Baphomet.

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The famous illustration of the Baphomet, is a symbolic illustration, developed over time, utilising the horned-god archetype, as the Celtic Cernunnos, the Brit Herne, and The Devil Card from the Tarot of Marseilles (15th century). The name, dates to records, as far back as the 11th century, and its famous illustration, is due to Eliphas Lévi’s “Dogme et Rituel de la Haute Magie,” 1897.

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